Raulet Schmuck der 40er & 50er Jahre Art Deco Fifties Jewelry Künstlerschmuck

EUR 298,00 Sofort-Kaufen oder Preisvorschlag, EUR 7,00 Versand, eBay-Käuferschutz
Verkäufer: abcdg666 ✉️ (464) 100%, Artikelstandort: Berlin, DE, Versand nach: WORLDWIDE, Artikelnummer: 266726818286 Raulet Schmuck der 40er & 50er Jahre Art Deco Fifties Jewelry Künstlerschmuck. Flacons 1910-1935, Zürich 1996. Schmuck, Uhren und Accessoires der 40er und 50er Jahre. Vieles, was man hier als Kratzer o.ä. sieht, ist mit bloßem Auge nicht zu erkennen! Kleine Kratzer o.ä. Das Buch hat 328 Seiten, wiegt ca. 2,5 Kg und hat zahlreiche fatastische Schmuckabbildungen aus der Spätzeit des Art Deco und den 1950er Jahren. WORLDWIDE SHIPPING Please feel free to aks for rates of s&h, they can be less than is desplayed by Ebay NACHLASSAUFLÖSUNG Nach und nach stelle ich hier aus einem Nachlass einiges ein, zu kaufen bzw. ersteigern gibt es natürlich immer nur das, was hier beschrieben ist, aber nicht was mann sonst vielleicht noch auf den Fotos sieht, wie Tische, Tischdecken, Schachteln etc. Kleine Kratzer o.ä. die man auf den Fotos gut sieht, beschreibe ich nicht immer, trotzdem gelten sie mit den Fotos als erwähnt. Die Fotos zeigen die Dinge nicht in ihrer realen Größe, sondern meist stark vergrößert. Vieles, was man hier als Kratzer o.ä. sieht, ist mit bloßem Auge nicht zu erkennen! Die Farben, wie Sie auf Ihrem Bildschirm dargestellt werden, können leicht von den realen Farben abweichen! Und bitte, macht nicht mich verantwortlich, wenn Ihr Euch die Fotos nur im wackelnden Bus auf dem Smartphone angesehen habt, und nicht in der Vergrößerung, die ein PC oder Tablet ermöglicht! Gerne schicke ich auch Fotos in hoher Auflösung per Mail zu. Unsicherheiten, Fragen? Ich beantworte alles gerne vor Kaufabschluss! Hier gibt es also: einen tolles und seltenes Buch über  Schmuck, Uhren und Accessoires der 40er und 50er Jahre von Sylvia Raullet Das Buch hat 328 Seiten, wiegt ca. 2,5 Kg und hat zahlreiche fatastische Schmuckabbildungen aus der Spätzeit des Art Deco und den 1950er Jahren u.a. Stücke von: Bagués Belperron Black, Starr & Forst Boivin Boucheron Bucherer Capdevila Cartier Chaumet Cusi Faraone Fasano Fouquet Fred Garrard Gübelin hemmerle Jaeger le Coultre Jesen King Lacloche Leysen Maenza Masrierra i Carreras Mauboissin Mellerio Patek Philippe Petochi Schlumberger Settepassi Sterlé  Sunyer i Clara Templier Tiffany van Cleef & Arpels Verdura Webb Wolfers Aus Wiki:

Fashion in the years following World War II is characterized by the resurgence of haute couture after the austerity of the war years. Square shoulders and short skirts were replaced by the soft femininity of Christian Dior's "New Look" silhouette, with its sweeping longer skirts, fitted waist, and rounded shoulders, which in turn gave way to an unfitted, structural look in the later 1950s.

Return of fashion

By 1947, the Paris fashion houses had reopened, and once again Paris resumed its position as the arbiter of high fashion. The "orderly, rhythmic evolution of fashion change"[1] had been disrupted by the war, and a new direction was long overdue. The padded shoulder, tubular, boxy line, and short skirt (that had been around since before the war and was identified with uniforms) was gone.[2] A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles.[3][4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider hems.[2]

Beginnings of Asian fashion

Indian Prime Minister Jawaharlal Nehru wearing mandarin collar suit and fez on a visit to East Germany, 1959.

During the early 1950s, designers in the decolonised Third World sought to create an identity distinct from European fashion. Urban professionals in Asia and the Middle East, for example, might wear Western style suits with indigenous headgear such as the Astrakhan, fez or keffiyeh. In India, the traditional Sherwani was adapted into the Nehru collar business suit,[5] while women frequently wore sarees in the workplace. Meanwhile, the Red Chinese developed the unisex Mao Suit in green, blue and grey to promote socialist values of equality.[6] Due to their minimalist, modern design, both types of suit would later be adopted by mod and British invasion trendsetters during the 1960s and 70s, especially The Beatles and The Monkees.[7][8]

Casual clothing and teenage style

Nylon stockings being inspected in Malmö, Sweden in 1954.

One result of the Post-World War II economic expansion was a flood of synthetic fabrics and easy-care processes. "Drip-dry" nylon, orlon and dacron, which could retain heat-set pleats after washing, became immensely popular.[9] Acrylic, polyester, triacetate and spandex were all introduced in the 1950s.[10] During the 1940s nylon stockings were an incredibly popular product as they were a lightweight alternative to silk and wool stockings. For the duration of WW2 the Du Pont company produced nylon exclusively for the war effort. At the end of 1945 the demand for nylon stockings was so great that Nylon riots ensued at stores selling the products. [11][12][13]

Miss America contestant Yolande Betbeze wears the co-ed's uniform of a short-sleeve sweater and pencil skirt, with high heels, 1950.

Social changes went hand-in-hand with new economic realities, and one result was that many young people who would have become wage-earners early in their teens before the war now remained at home and dependent upon their parents through high school and beyond, establishing the notion of the teenage years as a separate stage of development.[10] Teens and college co-eds adopted skirts and sweaters as a virtual uniform, and the American fashion industry began to target teenagers as a specialized market segment in the 1940s.[14]

In the United Kingdom, the Teddy boys of the post-war period created the "first truly independent fashions for young people",[10] favouring an exaggerated version of the Edwardian-flavoured British fashion with skinny ties and narrow, tight trousers worn short enough to show off garish socks.[10] In North America, greasers had a similar social position. Previously, teenagers dressed similarly to their parents, but now a rebellious and different youth style was being developed.

Young adults returning to college under the G.I. Bill adopted an unpretentious, functional wardrobe, and continued to wear blue jeans with shirts and pullovers for general informal wear after leaving school.[15] Jack Kerouac introduced the phrase "Beat Generation" in 1948, generalizing from his social circle to characterize the underground, anti-conformist youth gathering in New York at that time. The term "beatnik" was coined by Herb Caen of the San Francisco Chronicle in 1958,[16] and the stereotypical "beat" look of sunglasses, berets, black turtlenecks, and unadorned dark clothing provided another fashion alternative for youths of both sexes, encouraged by the marketing specialists of Madison Avenue.

Womenswear

New Look Revolution

Lisa Fonssagrives in a tailored suit that features a long pencil skirt and a fitted jacket with peplum. Photograph by Toni Frissell for Harper's Bazaar, London, 1951

On 12 February 1947 at 10.30 a.m. Christian Dior, aged 42, presented his first collection at 30 Avenue Montaigne, which was strewn with flowers by Lachaume. The Editor-in-Chief of Harper's Bazaar, Carmel Snow, strongly believed in the couturier's talent, which she had already noted in 1937 with the Café Anglais model that he designed for Robert Piguet. At the end of the fashion show, she exclaimed, "It's quite a revolution, dear Christian! Your dresses have such a new look!" A correspondent from Reuters seized upon the slogan and quickly wrote it on a note that he threw from the balcony to a courier posted on Avenue Montaigne. The news reached the United States even before the rest of France, where the press had been on strike for a month.[17]

Ball gown and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art.

Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening gowns at the Academy Awards, 1956.

With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion. Furthermore, in order to write it, he literally constructed it with his own hands. The designer had to hammer away at a Stockman mannequin that was too tough and unyielding to bear the preparatory canvases of his visionary wardrobe, says his friend Suzanna Luling: "And so, with big, nervous blows of the hammer, he gave the mannequin the same form of the ideal woman for the fashion that he was to launch." His aim was clear; his hand did not tremble. "I wanted my dresses to be 'constructed', moulded on the curves of the female body whose contours they would stylise. I accentuated the waist, the volume of the hips, emphasised the bust, In order to give my designs more hold, I had nearly all the fabrics lined with percale or taffeta, renewing a tradition that had long been abandoned." Thus, on 12 February 1947 at 10.30 a.m., the announcer introduced "numéro un, number one". The first outfit was worn by Marie-Thérese and opened the show during which the audience saw 90 different creations file past, belonging to two principal lines: En Huit and Corolle. Bettina Ballard, Fashion Editor at Vogue, had returned to New York a few months earlier after 15 years spent covering French fashion from Paris: "We have witnessed a revolution in fashion at the same time as a revolution in the way of showing fashion."[17]

British women shopping at Woolworths, 1945

The "softness" of the New Look was deceptive; the curved jacket peplum shaped over a high, rounded, curved shoulders, and full skirt of Dior's clothes relied on an inner construction of new interlining materials to shape the silhouette.[18][19] This silhouette was drastically changed from its previous more masculine, stiff, triangular shape to a much more feminine form.[20]

Throughout the post-war period, a tailored, feminine look was prized and accessories such as gloves and pearls were popular. Tailored suits had fitted jackets with peplums, usually worn with a long, narrow pencil skirt. Day dresses had fitted bodices and full skirts, with jewel or low-cut necklines or Peter Pan collars. Shirtdresses, with a shirt-like bodice, were popular, as were halter-top sundresses. Skirts were narrow or very full, held out with petticoats; poodle skirts were a brief fad. Ball gowns (full-skirted gown for white tie occasions) were longer than ankle-length dresses (called "ballerina length"), reaching the floor and worn to balls (as they are today). Cocktail dresses, "smarter than a day dress but not as formal as a dinner or evening dress"[21] were worn for early-evening parties. Short shrugs and bolero jackets, often made to match low-cut dresses, were worn.[22][23] Meanwhile, in Israel, simple Biblical sandals, blue cotton shirts and utilitarian, khaki military-inspired dress remained popular choices for many women due to ongoing economic austerity and the need to feel prepared for war.[24]

Intimate apparel

Christian Dior's 'New Look' collection in 1947 brought a revolution to the fashionable silhouette of the 1950s. Dior's nostalgic femininity of round shoulders, full skirts, padded hips and tiny waists replaced the boxy style of the wartime period at WWII. The trend of hourglass silhouette brought by the popularity of Dior guaranteed the market for intimate apparel. Although intimate apparels are usually hidden by outerwear, intimate apparel is especially emblematic for the contradictory beauty in the 1950s as the silhouette was created depends on the type of foundation garments worn. Foundation garments became essential items to maintain the curvy silhouette, especially waspies, girdles and horsehair padding. For example, the sales of corsets doubled in the decade 1948-58 (Haye, 1996 p. 187).[25] Dior's 'New Look' collection brought back the boned intimate apparels for women, even the young one, in order to create the feminised silhouettes that embrace feminity. Symington Corset Company of Market Harborough was one of the famous intimate apparel producers in the 1950s as they are the official producer of Dior's corselettes and girdles. "All the girdles were produced to the same design, in either black or white. The sugar-pink cotton velvet trimming was a particular feature of the range, and some were woven with Christian Dior's initials in the elastic panels on the side..." (Lynn, 2010, p. 106).[26] A brand new 'Bri-Nylon' fabric was introduced by the British Nylon Spinners. This fabric was popular fabric to be applied on intimate apparel in the 1950s because it was one of the first easy-to-launder and drip-dry fabric. There was a full corset advertisement in 1959 shows the popularity of 'Bri-Nylon' and the design of the corselet in the 1950s. 'This exquisite Dior corselet features jacquard elastic net with the down-stretch back panel of stain elastic. The enchanting front panel is in Bri-Nylon lace and marquisette highlighted with criss-cross bands of narrow velvet ribbon. It has side fastening - partly hook and eye with zipping extension. The very light boning is covered with velveteen.' (Warren, 2001, p. 30 )[27] From the above advertisement, it is not hard to find that the corselets in the 1950s were constructed in details with boning, panels, different fabrics in different elasticity.

While the corselets reshaping the women's body with tiny waists and big hips, a new shape of bra called 'cathedral bra' was introduced and became popular in the 1950s. It is called 'cathedral bra' because there would be pointed arches created by the bones over the breasts when the bra is worn. The bones also separate and define the shape of the breasts by pressing them into a pointed or bullet shape. Therefore, 'cathedral bra' was also called the bullet bra. This brassiere design was popularised by actresses like Patti Page, Marilyn Monroe, and Lana Turner, who was nicknamed the "Sweater Girl."[28] Although this brassiere design was designed for wearing strapless cocktail dresses and evening gowns and became popular during the 1950s, the market for this design was short-lived because it was 'likely to slip down or need adjustment throughout the evening' (Lynn, 2010, p. 152).[26] However, another brassiere design re-entered the market and grew popularity during the 1950s which even influenced the modern intimate design. Underwire bras were first introduced to the market in the 1930s, however, it was forced to quit the market because the steel supply was restricted in the 1940s for WWII. Underwire brassiere design re-entered the market as it helped to uplift the shapes of the breasts to form the trendy curvy silhouette with big busts in the 1950s. Made with nylon, elastic nylon net and steel underwires, the underwire bras helped to create fashionable high, pert bosoms. Underwire bras are still dominating items in the modern intimate apparel industry.

Clothes for the space age

From the mid-1950s, a new unfitted style of clothing appeared as an alternative to the tight waist and full skirt associated with the New Look. Vogue Magazine called the knitted chemise the "T-shirt dress." Paris designers began to transform this popular fashion into haute couture.[29] Spanish designer Balenciaga had shown unfitted suits in Paris as early as 1951 and unfitted dresses from 1954. In 1958, Yves Saint Laurent, Dior's protégé and successor, debuted the "Trapeze Line," adding novel dimension to the chemise dress. These dresses featured a shaped bodice with sloping shoulders and a high waist, but the signature shape resulted from a flaring bodice, creating a waistless line from bodice to knees.[29] These styles only slowly gained acceptance by the wider public.[30][31] Coco Chanel made a comeback in 1954 and an important look of the latter 1950s was the Chanel suit, with a braid-trimmed cardigan-style jacket and A-line skirt. By 1957, most suits featured lightly fitted jackets reaching just below the waist and shorter, narrower skirts. Balenciaga's clothes featured few seams and plain necklines, and following his lead chemise dresses without waist seams, either straight and unfitted or in a princess style with a slight A-line, became popular. The sleeveless, princess-line dress was called a skimmer.[30][32] A more fitted version was called a sheath dress.

Sportswear

New York had become an American design center during the war, and remained so, especially for sportswear, in the post-war period.[33] Women who had worn trousers on war service refused to abandon these practical garments which suited the informal aspects of the post-war lifestyle. By 1955, tight fitting drainpipe jeans became popular among American women.[34] Casual sportswear was also an increasingly large component of women's wardrobes, especially the white T-shirts popularized by Brigitte Bardot and Sandra Milo between 1957 and 1963.[35] Casual skirts were narrow or very full. In the 1950s, pants became very narrow, and were worn ankle-length. Pants cropped to mid-calf were houseboy pants; shorter pants, to below the knee, were called pedal-pushers. Shorts were very short in the early 1950s, and mid-thigh length Bermuda shorts appeared around 1954 and remained fashionable through the remainder of the decade. Loose printed or knit tops were fashionable with pants or shorts. They also wore bikinis to sport training.[36]

Swimsuits, including the Gottex brand popular in Israel and America, were one- or two-piece; some had loose bottoms like shorts with short skirts.[37] High waisted Bikinis appeared in Europe and the South Pacific islands,[38] but were not commonly worn in mainland America until the late 1950s.[36][39]

Hats and hairstyles

Argentine fashion photograph from 1955, featuring a typical New Look-style dress with a brimmed "saucer hat".

Hair was worn short and curled with the New Look, and hats were essential for all but the most casual occasions.[22] Wide-brimmed "saucer hats" were shown with the earliest New Look suits, but smaller hats soon predominated. Very short cropped hairstyles were fashionable in the early 1950s. By mid-decade hats were worn less frequently, especially as fuller hairstyles like the short, curly poodle cut and later bouffant and beehive became fashionable.[30][40] "Beat" girls wore their hair long and straight, and teenagers adopted the ponytail, short or long.

Maternity wear

In the 1950s, Lucille Ball was the first woman to show her pregnancy on TV.[41] [42] The television show I Love Lucy brought new attention to maternity wear. Most of the maternity dresses were two pieces with loose tops and narrow skirts. Stretch panels accommodated for the woman's growing figure. The baby boom of the 1940s to the 1950s also caused focus on maternity wear. Even international designers such as Givenchy and Norman Hartnell created maternity wear clothing lines. Despite the new emphasis on maternity wear in the 1950s maternity wear fashions were still being photographed on non-pregnant women for advertisements.[43]

On September 29, 1959, the maternity panty [1] was patented which provided expansion in the vertical direction of the abdomen. The front panel of this maternity undergarment was composed of a high degree of elasticity so in extreme stretched conditions, the woman could still feel comfortable.[44]

......................................................................

Noch das Übliche:

Privatverkauf, daher schließe ich alle Rechte, die Sie nach dem sog. Fernabnahmegesetz gegenüber gewerblichen Händlern haben,

ausdrücklich aus.

Also insbesondere kein Widerrufsrecht, keine Gewährleistung, keine Garantie, keine Rücknahme!

Ich beschreibe alles nach bestem Wissen und Gewissen, bin aber kein Profi. Irrtum bleibt also vorbehalten.

Sollte ich wirklich einmal wesentliches bei der Beschreibung unerwähnt gelassen oder falsch dargesetllt haben,

wenden Sie sich bitte sofort direkt an mich.

Es wird sich schon eine für beide Seiten akzeptable Lösung finden lassen.

Versand auf Kosten und Risiko des Käufers!

Keine Abholung, nur Versand.

Geschütze Marken werden nur benutzt, um die Artikel angemessen beschreiben zu können.

Paypal is possible, but not for payments from inside the EURO-zone and Switzerland.

Please aks me before  you buy or bid, whether Paypal payment for your Country

and the articel you want to buy  is accepted

__________________________________________________________________________________________________________________________________________________________________________________________________________________

r

r____________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________

René Lalique. Bijoux d’exception, 2007.

– Le Guide officiel de l’exposition. Bijoux d’exception 1890-1912, 2007.

– Jugendstil-Schmuck aus Paris 1890-1912, 2007.

–. Flacons 1910-1935, Zürich 1996.

[SW: ich bin 14 karätig 18 karätig werden in den 20er 30er 333er gold 375 375er gold 40er 50er 585er gold  60er 60er 70er 750er gold 8 karätig habe 80er 9 karätig Achat gerne achtziger Amazonit amzonitring amber viel Amethyst amethystring amrband sehe garantiere amthyst Anhänger finde ankerkette seien am montag ankerketten antik antique aquamarin aquamarineing solitär brillantring diamantring einkaräter eincaräter krawattennadel eine kravatennadel tie pin pin  email emailiert enamel aquamarine Armband armbanduhr ein armreif armring art deco aufziehen aufzug automatic automatik barock punze barockring bauhaus bauhausring Bauhausstil belle epoque bengel bergkristall bergkristallring bernstein bernsteinring bernsteinanhänger bernsteinbrosche bettelarmband biedermeier biedermeierbrosche biedermeierring biedermeierkette biedermeiercollier biedermeieranhänger blachian blachianschmuck blautopas toller blautopasring blautopasanhänger blautopasbrosche trachtenschmuck folk jewellery traditional jewellery bottoms bracelet bracelett brillant brilliant brilljant bronze brooch brooche wunderbare Brosche buckles butter Butterscotch Button camee cameo carat carneol schönen carneolring karneolring Chain champgner bernstein Chatelaine coral chrom Chrysopras chrysoprasring Citrin citrinring zitrinring citrinanhänger zitrinanhänger cognac bernstein collier coral necklace cuff bottoms cuffbottoms cuff-bottoms cuff links cuff-links cufflinks spange alte gürtelschließe gürtelschnelle antike schuhschnalle damenring schöner mädchenring herrenring hübsche Damenuhr herrenuhr deco diamant dominokette dominoketten doppelpanzerkette doppelpanzerketten Double kettenschieber kettenschuber echter doubleschmuck dreißiger jahre aus den dreissiger jahren  earclip earring earrings echt wunderbares Edelstahlarmband schweres edelstahlgehäuse eighties emerald email empire engeslkoralle bezaubernde engelshautkoralle epoche epoque erbskette erbsketten facettiert facettenfasettiert scharfe und kalre fasetten FBM fifties figaroketten haben wir figarokettte fischgrätkette aus pforzheim oder gablonz jablonek kaufbeuren neu-gablonz idar-oberstein schwäbisch-gmünd bijouterie bijoux bijou brigitte lange flachpanzerkette kurze flachpanzerketten Frackuhr fünfziger jahre garibalidkette garibalidketten garnet echte Gemme achatgemme oder muschelkemme gemmenring schöner jagdschmuck sportschmuck pferdeschmuck hufeisen anker pferdekopf  löwenkopf schlangenkopf tierschmuck hundebrosche katzenbrosche blumenbrosche strassbrosche dienstbotenschmuck schlangenring katzenring genuine Georg Jensen Georg Kramer Germany echtes gold goldamrband goldarmreif goldring goldanhänger goldarmband lange Goldkette goldreif goldring goldschatulle goldschmuck Goldtopas Granat granatschmuck aus böhmen böhmischer granatring tieroter böhmischer granat bohemian garnet granatanhänger granatbrosche grosse gründerzeit gründerzeitschmuck biedermeierschmuck historismusschmuck trifari tiffany Gürtel Hämatit Blutstein hanau handarbeit handaufzug henkel herion alte mechanische Herrenuhr historismus Hole gekauft in idar-oberstein in Jade jaderring jadeanhänger jadebrosche jadearmreif jadearmband Jahre years aus der jahrhundertwende Jaspis jensen jewellery jewells Jewelry jewelry jugendstil judenstil Jugendstil juwelierarbeit und  unikat juweliersschmuck designer desiganerschmuck goldschmied silberschmied modeschmuck costume jewelry juwellry kamee karat karneol karst kettchen-platten-ketten kette kettechen-platten-kette Kettenanhänger klassische zeit des klassizismus klassizismus Knopf Knopfloch Knopflochkette königskette königsketten konstruktivismus konstruktivistisch Koralle echten korallenring korallenkette korallenanhänger korallenbrosche schaumgold platin platiniert rhodiniert rodiniert kramer krügerrand kupfer Labradorit lapis Lapislazuli lapizlazuli lapislazuliring lapislazulianhänger luxury luxusuhr Made malachit malachitring malachitanhänger malachitarmreif malachitcollier bakelit bacalite bakelitschmuck bakelitbrosche kunststoff kunststoffschmuck acrylschmuck bakelitarmreif celluloid manschettenknöpfe manschettenknopf markasit markasiten markasitring markasitbrosche markasitanhänger markasitarmband markasitarmreif cut steel marcasite iron pyrit melnikovite marcasite Markenuhr mattiert mechanisch messing traumhafter Honigbernstein edler Milchbernstein mondäner Mondstein mondsteinring mondsteinanhänger mondsteinohrringe mondsteinarmreif buntschimmernder perlmutt mother of pearl münchner schmuck museal Muschel muschelkamee muschelgemme shell cameo necklace blitzernder Nephrit neue sachlichkeit Niello niellosilber tulasilber russisch russian tsarist carist zaristisch nouevau noueveau nouveau obsydian ohrclip Ohrclips Ohrhänger ohrklip ohrring Ohring Ohringe Pampeln Ohrpampeln Ohrschrauben Ohrstecker onyx schimmernder opal ausgefallener opalring herrlicher opalanhänger opalorringe opalohrring opalohrstecker Originalfaltschließe panzerkette panzerketten parur parure semi parure pendant Pendent Peridot niedlicher peridotanhänger peridotring peridotohrstekcer peridotohrring Perle perlenring perlenohrstecker perlenohrring pearl bead haitiperle zuchtperle tahitiperle  tahiti-perle südseeperle akaoy-perle akoyaperle toller lüster  brillanz wesselton  top wesselton  lupenrein weiß akojaperle echte akoja-perle echte akoja-perlen mabe-perle mabeperle echte süßwasserperle süßwasser-perle kreshi-perle kreshiperle wachsperle imatation imitat Perlmutt in pforzheim schmuckmanufaktur pocket poliert Pop Popart quartz quarz toller Rauchquarz Rauchtopas rauchtopasring riesiger rauchtopasanhänger rauchtopasbrosche beeindruckender rauchtopasarmreif rauchtopasarmring renaisscance herrlicher renaissancering renaissance-ring renaissance-anhänger renaissance-kette renaissance-collier renaissance-brosche renaissancebnrosche renaissancekette renaissancecollier revers reverskette reversketten rhodochronit rhodochronitanhänger rhodochronitring rhodochronitbrosche rhodochroni-tanhänger rhodochronit-ring rhodochronit-brosche Rhodochrosit Rhodonit Ring Rivo rosenquarz rosenquarzkette rosenquarzring rosenquarzanhänger rosenquarz-kette rosenquarz-ring rosenquarz-anhänger rosenquartz echter natürlicher Rubin wahnsinns rubinring rubinanhänger rubincollier rubinbrosche rubin-ring rubin-anhänger rubin-collier rubin-brosche ruby sachlichkeit safir safirglas sammelwürdig tiefblauer saphir saphirring saphiranhänger saphirohrclip saphirohrring saphirohrstecker saphir-ring saphiranhänger saphirohr-clip saphirohr-ring saphirohr-stecker safirring safiranhänger safirring saphirglas saphire sapphire schwäbisch schlangenkette schlangenketten schlauchkette schlauchketten schönes schmuckkonvolut großes konvolut schmuck schmuckset schweiz schweizer scotch sechziger jahre sesession seventies Siam siebziger jahre echt Silber silberamband silberanhänger Silberarmband silberarmreif Silberkette silber-amband silber-anhänger Silber-armband silber-armreif Silber-kette silber-ohrring silberreif Silver silverbracelet singapurkette singapurketten sixties smaragd smaragdring smaragdkette smaragdanhänger smaragdbrosche smaragdohrstecker smaragdohrclip smaragdohrring smaragd-ring smaragd-kette smaragd-anhänger smaragd-brosche smaragd-ohrstecker smaragd-ohrclip smaragd-ohrring emerald emarald spacestil Spacestyle space style space stil space-stil space-style zauberhafter spinel cute spinell spinell Sportuhr spring stainless steel steg-anker-kette steg-anker-ketten steg-panzer-kette steg-panzer-ketten sterling Strass Swiss made Tansanit tanasanitring tansanitanhänger tansanitarmreif tansanitbrosche tansanitohrring tansanitohrstecker tanasanit-ring tansanit-anhänger tansanit-armreif tansanit-brosche tansanit-ohrring tansanit-ohrstecker Taschenuhr, Taschenuhrenkette, Taschenuhrkette, tauchuhr taucheruhr theodor fahrner tombak Topas topaz türkis alter türkisschmuck alter Korallenschmuck türkissring tirkisanhänger türkisbrosche türkisohrclip türkisohrring türkisohrstecker Turmalin turquase turquoise twenties uhr Uhrenarmband lange Uhrenkette vausch venezianerkette venezianerketten vergoldet victorian jewellery victorianisch vierziger jahre viktorianischer schmuck viktorianisch vinatge vintage wabenkette wabenketten watch werkbund wiener werkstätte wiener schmuck wrist Zirkon zirkonja kein Zirkonia zitrin zopfkette zopfketten zwanziger бирюзовый бирюза агат аметистовый аметист браслет кулон аквамариновый аквамарин бриллиантовый брильянт русский Россия царистский зажим для галстука наручные часы горный хрусталь янтарный янтарь янтарные украшения украшения из янтаря драгоценности ювелирный бидермейер брошка брошь камея коралл запонка кольцевой кольцо мужское женский женское настоящий оригинальный серёжка серьга фрак подкова голова лошади лошадиная голова змеиная голова лев кошка золотой золото злато чистое золото гранатовый гранат чешский историзм гематит рукоделие жад яшма югендстиль конструктивизм ювелир золотых дел мастер златокузнец дизайн серебряный серебро серебряные украшения золотые украшения украшения из золота платина лазурит ляпис - лазурь малахитовый малахит пирит опаловый опал опалое ж Sigrid Barten Barthen Rene René Lalique Lallique Schmuck und Objets d'art objets d'art 1890-1910 1890 bis 1910 Monographie und Werkkatalog Werkkatalog Prest 1977 ISBN 3 7913 0387 2 3791303872 емчужина Таити топаз кварцевый кварцевое авантюрин рубиновый рубиновое рубинов a я рубин сапфирный сапфирн a я сапфирное сапфировый сапфиров сапфиров a я сапфирое сапфир изумрудный изумрудное изумр Ingeborg Becker ausstellungskatalog  werkverzeichnis  exibition  ausstellung  emailleschmuck fensteremaille  stegemaille  neorenaissacne neo-renaissance neo-rokoko neorokoko harschmcuk haarschmuck anhängerschmuck halsschmuck broschen- und brustschmuck broschenschmuck  handschmuck  gewandschmuck garinturen  parure  ingeborg becker  Schmuckkunst des Jugendstil удн a я изумруд карманные часы двадцаты e годы Кавказ карат Советский Союз опал    перстень   бирка   лошадь змея   кость слон     амулет   серьга   сережка    подкова      echtschmuck antikschmuck amber ambre  ámbar  琥珀 ян

radio____________________________________________________________________________________________________________________________________________________________________________________________________________


  • Condition: Alt und gebraucht,, aber noch sehr guter Zustand, siehe Artikelschreibung und Fotos, die Teil der Beschreibung sind!
  • Seiten: ca. 328
  • Erscheinungsjahr: 1987
  • Thema: Schmuck der 40er & 50er Jahre
  • Autor: Sylvie Raulet
  • Einband: Leinen
  • Region: Europa
  • Verlag: Heyne
  • Genre: Kunst & Kultur
  • Sprache: Deutsch

PicClick Insights - Raulet Schmuck der 40er & 50er Jahre Art Deco Fifties Jewelry Künstlerschmuck PicClick Exklusiv

  •  Popularität - 0 Beobachter, 0.0 neue Beobachter pro Tag, 1 day for sale on eBay. 0 verkauft, 1 verfügbar.
  •  Bestpreis -
  •  Verkäufer - 464+ artikel verkauft. 0% negativ bewertungen. Großer Verkäufer mit sehr gutem positivem Rückgespräch und über 50 Bewertungen.

Die Leute Mochten Auch PicClick Exklusiv